Credits

Role

Name

Director

Virgil Ferragut

Cinematography

Pablo Clemente

Production

PRIMO / Solent Films

Agency

Publicis Paris

Editing

Fran Molina

Color

Fran Condor

Executive Producer

Laia Vidal

Producer

Olga Valiño

1st AD

Toni Tane

Renault Duster

/

MUD

More Info

A sensory automotive film built around a simple collision: pristine urban design meets the raw force of mud. Moving through a series of meticulously crafted spaces, the film lets real liquid effects invade and transform each frame before following the Duster into the wild. Shot largely in-camera with practical mud rigs, high-speed photography and real terrain, the challenge was balancing tactile chaos with a controlled, premium visual language throughout.

Year

2025

Shot Between

Bulgaria

Camera

ALEXA 35

Shoot Days

4

Credits

Role

Name

Director

Virgil Ferragut

Cinematography

Pablo Clemente

Production

PRIMO / Solent Films

Agency

Publicis Paris

Editing

Fran Molina

Color

Fran Condor

Executive Producer

Laia Vidal

Producer

Olga Valiño

1st AD

Toni Tane

Renault Duster

/

MUD

More Info

A sensory automotive film built around a simple collision: pristine urban design meets the raw force of mud. Moving through a series of meticulously crafted spaces, the film lets real liquid effects invade and transform each frame before following the Duster into the wild. Shot largely in-camera with practical mud rigs, high-speed photography and real terrain, the challenge was balancing tactile chaos with a controlled, premium visual language throughout.

Year

2025

Shot Between

Bulgaria

Camera

ALEXA 35

Shoot Days

4

Credits

Role

Name

Director

Virgil Ferragut

Cinematography

Pablo Clemente

Production

PRIMO / Solent Films

Agency

Publicis Paris

Editing

Fran Molina

Color

Fran Condor

Executive Producer

Laia Vidal

Producer

Olga Valiño

1st AD

Toni Tane

Renault Duster

/

MUD

More Info

A sensory automotive film built around a simple collision: pristine urban design meets the raw force of mud. Moving through a series of meticulously crafted spaces, the film lets real liquid effects invade and transform each frame before following the Duster into the wild. Shot largely in-camera with practical mud rigs, high-speed photography and real terrain, the challenge was balancing tactile chaos with a controlled, premium visual language throughout.

Year

2025

Shot Between

Bulgaria

Camera

ALEXA 35

Shoot Days

4

The Storyboard

Story Board
Final Film

Behind the scenes